Previous titles in the non-themed horror ABC series, all still in print are After Sundown, Beyond the Veil, Close to Midnight and Darkness Beckons.
Contents List:
THE PEELER by Poppy Z. Brite
A HOUSE OF WOE AND MYSTERY by Andy Davidson
THE WRONG ELEMENT by Aaron Dries
JACK-A-LENT by Paul Finch
NOBODY WANTS TO WORK HERE ANYMORE by Christina Henry
THE CALL OF THE DEEP by Laurel Hightower
EIGHT DAYS WEST OF PLETHORA by Verity Holloway
THEY EAT THE REST by Jim Horlock
THE ONLY FACE YOU EVER KNEW by Gwendolyn Kiste
MISTER REAPER by Annie Knox
I MISS YOU TOO MUCH by Sarah Langan
UNMARKED by Tim Lebbon
THE DOPPELGÄNGER BALLET by Will Maclean
THE SCARECROW FESTIVAL by Tim Major
THE PLAGUE by Luigi Musolino
THE DAUGHTERS OF CANAAN by Kurt Newton
THE ENTITY by Nicholas Royle
RED MEAT FLAG by David J. Schow
THE NOTE by Paul Tremblay
A REVIEW OF ‘SLIME TUTORIAL: THE MUSICAL’ by P.C. Verrone
In his 35-year career Mark Morris has written and edited around fifty novels, novellas, short story collections and anthologies, and his script work includes audio dramas for Doctor Who, Jago & Litefoot and the Hammer Chillers series. His most recent work includes a new novel, That Which Stands Outside, a 30th anniversary short story collection, Warts And All, new audio adaptations of the classic 1971 horror movie Blood on Satan’s Claw and the M.R. James ghost story A View From a Hill, the official BBC Books/Target novelization of the 60th anniversary Doctor Who special Wild Blue Yonder, and, as editor, four previous anthologies in this series: After Sundown, Beyond the Veil, Close to Midnight and Darkness Beckons. Blood on Satan’s Claw won the New York Festival Radio Award for Best Drama Special, and A View From a Hill won the New York Festival Radio Award for Best Digital Drama Program, and was also awarded Silver at the 2020 Audio & Radio Industry Awards. Mark has won two British Fantasy Awards, and has also been nominated for several Stokers and Shirley Jackson Awards.