---
title: Four Fantastic Fairy Art Pictures | Art of Fine Gifts
description: We take a look at some stunning fairy art pictures set in winter surroundings. Today's blog features four images alongside information about the artists and their inspirations.
image: https://blog.flametreepublishing.com/hubfs/dame_autumn_hath_a_mournful_face.jpg
---
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T H E F L A M E T R E E B L O G
# Visual & Decorative Arts Blog
# Four Fantastic Fairy Art Pictures | Art of Fine Gifts
Posted by [Matt Knight](https://blog.flametreepublishing.com/art-of-fine-gifts/author/matt-knight)
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**As winter chills the air** and sheds leaves from the trees, rural settings takes on a **new look** before the advent of Spring. Yet they are no less intriguing for this change; in fact winter can heighten our sense of fantasy and **magical occurrences** through the longer stretches of night-time. We see this in the work of **fantasy artists** who embrace the colder seasons and use them as inspiration for **compelling images** of fairies and fables. Today we take a look at a handful of images inspired by end of year weather changes. Perhaps they'll even motivate you to render some art of your own.
---
## Fairies in the Snow
### by John Anster Fitzgerald
Whilst many of Fitzgerald’s pictures of fairies show them **seemingly at war** with their surroundings, he occasionally painted more **optimistic scenes** in which the tiny creatures seemed more in harmony with the world around them. This tallied with a view put forward by some writers, that the fairies belonged to a **happier, bygone age**, before the world became sullied by progress and materialism.
In this picture we see **fairies playing** with some sheep that have taken shelter from the cold snow. There is energy in the foreground as rabbits are ridden like bicycles, but the **tender care** taken with the sheep communicates a calmer sense of **tranquillity**.
---
## 
## Autumn – Dame Autumn Hath a Mournful Face
### by John Atkinson Grimshaw
During the 1870s and 1880s, Grimshaw produced a series of fairy pictures, all ostensibly drawn from **literary or Classical sources**. Here the title comes from an old ballad, although the artist was probably more interested in creating a wistful personification of the season itself. He saw it as a time for **melancholy reflection**, epitomized by such pictures as Autumn Regrets and Meditation.
This piece is fairly unique, as nudes are rare in Grimshaw’s work. In Victorian England nude depictions were seen as **controversial**, but due to the fairy subject matter and lyrical colouring his pictures largely **avoided censorship**. Problems normally only arose when a nude was painted **too naturalistically**, or if it was too readily identifiable with real women. But as seen here, hovering above the earth and shrouded in **magical light**, Grimshaw's ethereal figure is clearly far removed from any grounding in reality. His fairy shines as a beacon of beauty amidst the dry surroundings, enhancing the dull browns of the trees into **spectacular, deep oranges**.
---
## Autumn Fairies
### by Arthur Rackham
Another autumn image, this illustration is taken from the 1906 edition of *Peter Pan in Kensington Gardens*. It depicts a passage where the narrator explains how **fairies hide themselves** from humans (one of their most effective ploys was to disguise themselves as flowers). Tailored in clothes to resemble **everyday plants**, these fairies are able to effortlessly blend in with hyacinths and crocuses - some of their favourite flowers.
Here we see a handful of fairies mimicking the actions of **autumn leaves **as they dance around in the breeze. When tackling pictures of this kind, Rackham always tended to draw the background first, adding in the figures at the **final stage**. Although he generally planned out a rough idea of the composition he never produced detailed studies, preferring to paint ***quickly and spontaneously***. A friend remarked that he resembled a goblin “hopping about the studio with a palette on one arm, waving a paintbrush in his hand”.
---
## The Elfin Maid
### by Brian Froud
Female fairies were often seen as **great seductresses**, captivating men with their beauty. However, romances between mortals and fairies were **perilous affairs**, usually doomed to end in failure.
Whilst male elves were normally depicted as squat and ugly, their female counterparts were very different. **Under moonlight**, in particular, elf maidens had a **shimmering allure** that most men found irresistible. That is what we see in this image, as the Elfin Maid glides through naked winter trees.
Froud's work has **reinvigorated** the fairy genre, taking it out of the nursery and returning it to the adult world. His work has a particularly strong appeal for New Age enthusiasts, with their interest in [Celtic myths](http://www.flametreepublishing.com/Celtic-Myths.html), traditional folklore and alternative forms of **spiritual belief**. Some of his subjects have a medieval flavour, which harks back to the Victorian taste for Arthurian themes, but is also reminiscent of the **contemporary movement** by the Brotherhood of Ruralists.
---
**Which picture was your favourite, or do you have a favourite fantasy artist that is missing from this list?**
**Let us know in the comments below.**
**[](http://www.flametreepublishing.com/Fairy-Art.html)**
You'll find even more astounding fantasy images in our beautiful large-format book, [*Fairy Art*](http://www.flametreepublishing.com/Fairy-Art.html). Packed to the brim with incredible high-quality images, information about artists and much more, this is the perfect gift for the fantasy lover in your life. [Take a closer look at the title here](http://www.flametreepublishing.com/Fairy-Art.html).
Topics: [fairy art](https://blog.flametreepublishing.com/art-of-fine-gifts/topic/fairy-art)
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