The history of graphic art is criminally under written and often not given the respect it deserves. Taken less seriously by the western artistic canon, graphic art is often relegated to commercial or juvenile art and rarely properly addressed for the powerful storytelling and cultural history it contains. In this new series of blogs we will be looking at the history and development of graphic arts and their influence on wider culture.
Visual & Decorative Arts Blog
Today the Tate Britain is opening its long awaited exhibition; Van Gogh in Britain. To celebrate Van Gogh's time in London we wanted to take a look at some of his letters from his time in London. His knowledge of art grew exponentially during his time in Britain and you can see the influence of this period all the way through his art.
Egon Schiele (1890-1918) made no attempt to hide his desire to befriend Gustav Klimt (1862-1918). His admiration for Klimt, the star of the Viennese art circle, grew from his domination of the avant garde art scene in the early 20th century. In 1907 he became determined to meet Klimt. He had heard that Klimt had his own admiration for those who sought to be successful.
The Culture Shock that was Art Nouveau
To understand Art Nouveau you first have to understand the ground it grew out of. The cultural and political shock of the French Revolution had left deep wounds throughout Europe and caused artists to resort to traditional art styles. In these traditions there was a familiarity, recognisability and in some sense a safety. With the advent of Gothic Revival, in England, and Neoclassical, Neo Renaissance and Neo Baroque styles emerging across Europe there was a clear demand for visual art that harkened back to past eras.
FLAME TREE PRESS: Fiction, Art & Music
We’re launching a new imprint: Flame Tree Press. It’s an exciting new challenge. We’ll share the journey as we seek submissions, edit, promote and publish a series of new publications from the second half of 2017.