Known for creating one of the first abstract paintings, Wassily Kandinsky (1866–1944) spent his life experimenting with his artistic talent. With Composition VII (1913) Kandinsky tried to capture the feeling of hearing music using a cacophony of form and colour that make a truly distinct style. It is considered to be one of his most recognisable and successful works.
Visual & Decorative Arts Blog
A pioneer of abstract art, Wassily Kandinsky (1866–1944) is still renowned for his woodcuts, paintings and heading of the Blue Rider group which included Franz Marc (1880–1916), August Macke (1887–26) and Paul Klee – all Expressionist yet very distinct from each other in terms of technique. Kandinsky's style went through many changes, ranging from the fast brush work and striking colours of Fauvism to the horizontal lines and plain colours of Neoplasticism. It is perhaps because of this changeability that his work is still loved by many today.
Wassily Kandinsky is considered to be the 'Father of the Abstract.' From an early age he had a strong connection to colour and throughout his artistic career he was interested in the portrayal of colours and shape. It took a simple mix up, when his wife accidentally set his work in progress on its side, for him to find artistic truth. Kandinsky's art was an extension of his spiritual thoughts and the abstract works that he created inspired many artists and art movements.
As explored in our previous Kandinsky blogpost, this is an artist who had a strong awareness of colour from an early age. This is brought out with great intensity in his later, more abstract paintings: the works that we now recognise most clearly as ‘Kandinsky’s’. Paintings like ‘Yellow, Red, Blue’ (1925) demonstrate the play of colour that Kandinsky used as a way of echoing, and influencing, emotions.
The star of today's (16/12/14) 'Google Doodle', Wassily Kandinsky was an abstract painter born in 1866. Considered by many to be the 'Father of the Abstract', Kandinsky's art focussed on the portrayal of colours and shape – he compared the compositions of his paintings to the creations of the cosmos, beauty borne from catastrophe. In today's blog we look at the master's early years and how it was that he selected abstract as his form of choice.